I spent the whole of Sunday locked in a dark room with five other guys.
Not that there’s anything wrong with that….
See, we spent the day with the sound editors doing the final mix review. I know I’ve posted about this before, but I love sound design and sound editing -– because of its furtive nature. It improves the film experience in a remarkable way -– yet done properly the viewer shouldn’t think about it at all. Love that.
Maybe a few people might bring it up when thinking back on the movie at the bar over a couple beers with other filmsters, but not while they’re watching.
Anyway, it was an excellent day. The editors and composer did a great job and we were mainly unanimous in the notes we had for additional tweaks, which the boys are working on now. Since this is one of the last steps in the process it made it extra-excellent. Excellenter, even.
Composer Len is sending me his score on CD, and maybe I can figure out how to post some of his cues on here for you to listen to -– ‘cause they’re pretty fucking cool.
From here on, we have some spot checking on a few sound tweaks and visual effects, then finishing and dubbing -– and we take Dismal out into the world, looking for distribution.
Our baby, up for sale.
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment